Typography
A Very Short Introduction
Price: 350.00 INR
ISBN:
9780199211296
Publication date:
19/11/2018
Paperback
176 pages
175x112mm
Price: 350.00 INR
ISBN:
9780199211296
Publication date:
19/11/2018
Paperback
176 pages
Paul Luna
Offers an accessible account of typography, drawing on its history, theory, and practice,Demonstrates the growing importance of our own typographic decisions as communication is increasingly digitalised,Examines the underlying principles applicable to any verbal graphic communication,Considers why certain typographic choices are made, and the issues behind them,Part of the Very Short Introductions series - over nine million copies sold worldwide
Rights: OUP UK (INDIAN TERRITORY)
Paul Luna
Description
Typography, the art of designing printed words, was once the domain of an elite few artists but has become an area with which millions of people engage daily. The widespread usage of digital devices from laptops to tablets and smart phones which are used for written communications means that we are regularly asked to make decisions about the fonts, sizes, and layouts we use in our writing. This broadening engagement with the field of typography has led to a perceptible shift from debates about legibility and technicalities to conversations about which fonts best reflect the writer's personality or style .
In this Very Short Introduction,
Paul Luna offers a broad definition of typography as design for reading, whether in print or on screens, where a set of visual choices are taken to make a written message more accessible, more easily transmitted, more significant, or more attractive. Considering the development of letterforms and the shapes of letter we use, Luna discusses the history behind our modern day letters and fonts, before considering the issues behind key typographic decisions, and the differences between printed and on-screen typography. Presenting any piece of typography as a fundamental design choice, Luna introduces the options available today, and explores the reasons why key typographic decisions are
made.
ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
About the author
Paul Luna, Emeritus Professor, Department of Typography and Graphic Communication, University of ReadingPaul Luna is Emeritus Professor of Typography and Graphic Communication at the University of Reading. Before this he was head of corporate design at Oxford University Press and responsible for the design of major publications such as the Oxford English Dictionary, bilingual dictionaries, the Oxford Shakespeare, and the Revised English Bible.
Paul Luna
Table of contents
Preface
Acknowledgements
1:Perfect letters
2:Practical letters
3:Presenting language
4:Genre and layout
5:Persuasion, information, art
6:Picture language
7:Evidence for design decisions
8:Positive typography
Appendix 1: Dogma for designers
Appendix 2: Good practice in typesetting
Further reading
Index
Paul Luna
Description
Typography, the art of designing printed words, was once the domain of an elite few artists but has become an area with which millions of people engage daily. The widespread usage of digital devices from laptops to tablets and smart phones which are used for written communications means that we are regularly asked to make decisions about the fonts, sizes, and layouts we use in our writing. This broadening engagement with the field of typography has led to a perceptible shift from debates about legibility and technicalities to conversations about which fonts best reflect the writer's personality or style .
In this Very Short Introduction,
Paul Luna offers a broad definition of typography as design for reading, whether in print or on screens, where a set of visual choices are taken to make a written message more accessible, more easily transmitted, more significant, or more attractive. Considering the development of letterforms and the shapes of letter we use, Luna discusses the history behind our modern day letters and fonts, before considering the issues behind key typographic decisions, and the differences between printed and on-screen typography. Presenting any piece of typography as a fundamental design choice, Luna introduces the options available today, and explores the reasons why key typographic decisions are
made.
ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
About the author
Paul Luna, Emeritus Professor, Department of Typography and Graphic Communication, University of ReadingPaul Luna is Emeritus Professor of Typography and Graphic Communication at the University of Reading. Before this he was head of corporate design at Oxford University Press and responsible for the design of major publications such as the Oxford English Dictionary, bilingual dictionaries, the Oxford Shakespeare, and the Revised English Bible.
Table of contents
Preface
Acknowledgements
1:Perfect letters
2:Practical letters
3:Presenting language
4:Genre and layout
5:Persuasion, information, art
6:Picture language
7:Evidence for design decisions
8:Positive typography
Appendix 1: Dogma for designers
Appendix 2: Good practice in typesetting
Further reading
Index
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