Seduced by the Familiar

Description

Hindi popular cinema has played a key role as a national cinema because it assisted in the imagining of a unified India by addressing a public across the nation-to-be even before 1947. Examining the diverse elements that constitute the "popular" in Indian cinema, M.K. Raghavendra undertakes, in this book, a chronological study of films to speculate on narrative conventions, thematic continuities, myths, archetypes, and other formal structures that inform it from its hesitant beginnings up to the 1990s. A significant contribution to film studies, the book makes crucial connections between film motifs and other aspects of culture, exploring the development of film narrative using the social history of India as a continuing frame of reference.

About the Author

M.K. Raghavendra is a film critic, researcher, and scholar. He was the recipient of the National Film Award for the Best Film Critic, The Swarna Kamal in 1997.

Table of contents

Introduction
1:Narrative Convention and Form
2:Indian Cinema Before 1947: In Search of a Definition
3:The First Years of Independence: Birth of a Nation
4:The 1950s and 1960s: The Idea of 'India'
5:The 1970s: Crosscurrents
6:The Furious 1980s: Undermining the Nation State
7:Towards the New Millennium: The End of Conflict
8:A Conclusion
Notes
Bibliography
Film Index
General Index
About the Author